De fil en aiguille, la broderie dans l'art contemporain. Extrême-Orient re-semanticized

re-semanticized

la transposition des techniques de création occidentales et du système des beaux-arts en Chine a permis de former la génération d'artistes qui sont venus à Paris après 1945 : parmi les étudiants formés par Lin Fengmian figuraient Zao Wou-ki  (Zhao Wuji)

and here more specifically ceramic decorations

après Politien

De fil en aiguille, la broderie dans l'art contemporain. Extrême-Orient re-semanticizedIn the 1960s, feminist artists took up needlework and used embroidery in their works, thus moving the technique away from being considered a primarily feminine hobby and away from the realm of crafts. Whether academically or with complete freedom, the contemporary embroiderers encountered by Charlotte Vannier use all sorts of media (cotton canvas, photographs, plastic, food, wire mesh) to create miniature or colossal, monochrome or variegated,