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L'artiste et le philosophe. Phénoménologie des correspondances esthétiques. Copte Le dernier chapitre traite des

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Le dernier chapitre traite des matières premières

manuscripts

By insisting so much on the marquis of the shadows

and specific value of the creations

L'artiste et le philosophe. Phénoménologie des correspondances esthétiques. Copte Le dernier chapitre traite desWhat do Pascal and La Tour's painting have in common? The theology of Thomas Aquinas and the frescoes of Fra Angelico? Schelling's philosophy and Liszt's music? Diderot's thought and Fragonard's canvases, or Maldiney's phenomenology and Giacometti's sculptures? What if works of art and philosophical works, in their ways of being in the world, wove profound correspondences, often even without their creator's knowledge? This is the thesis of Philippe

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