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the artist interwove fluid and sinuous forms that evoke elements of nature
Morning in posthumous print in 2002
Haarlem 1982
attributable to the print run of Eirakuya Tōshirō (early Meiji era) from the original woodblocks
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 65, 1836-1847 vasi the artist interwove fluid andBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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