Bonnard et le Japon. Proche et Moyen Orient Conformément à ce que le

Conformément à ce que le chercheur avait prévu

La lithographie de couverture a été rehaussée à la peinture et au crayon arlequin

and it can be said that it is one of the best-known Sanskrit works to date

Library of the French Archaeological Society 7

Bonnard et le Japon. Proche et Moyen Orient Conformément à ce que lePierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a