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The geometric and chromatic decorations on the face refer to a symbolic language linked to protection and belonging
Only a few proofs of printing prior to this edition are known
to reproduce it on the copper plate laid on the table at which the artist sits
- tire and exhaust: unsustainable mobility and transport
KŌRIN FURUYA, Kōrin-style Patterns n. 63, 1897 sculture The geometric and chromatic decorationsStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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