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Privatising Culture keyword-intifada And in a treatment ofCorporate sponsorship and business involvement in the visual arts have become increasingly common features of our cultural lives. From Absolut Vodkas sponsorship of art shows to ABN AMRO Banks branding of Van Goghs self portrait to advertise its credit cards, we have borne witness to a new sort of patronage, in which the marriage of individual talent with multinational marketing is beginning to blur the comfortable old distinctions between public and