Caillebotte. Peindre les hommes. Moyen-âge and exclusion due to the

and exclusion due to the simple fact of being different

this double catalogue raisonné of the work of Corneille Theunissen (1863-1918)

Ce sont alors de nouvelles modalités de relations avec les communautés locales qui sont inaugurées

incontestablement

Caillebotte. Peindre les hommes. Moyen-âge and exclusion due to theBourgeois and workers strolling through Haussmann's Paris, floor planers and boaters caught in the act of exertion, young bachelors playing cards or observing the city from their balconies, naked men at their toilets Male figures and portraits of men dominate the work of Gustave Caillebotte (1848 1894), unlike his colleagues Degas, Manet or Renoir. Just as much as his immersive framing and complex perspective effects, the way the artist observed and